by Paul Hartal
My life is a Corinthian acanthus leaf
On an intricately carved classic column
Enchanted pellucid palace
Silent opaque sandglass
On an amethyst shelf
Byzantine transition
From circle to sphere.
My works are gothic objects
Frail violins
Of crystal madrigals
Bizarre rococo laces
In a darkly rich coloured interior
And sometimes as I stare at them
They are strange and unknown to me
Like my own hand and fingers
At three o’clock A.M.
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ABOUT THE POET ~
A man of many Odysseys, Paul Hartal is a Canadian poet, author and artist born in Szeged, Hungary. His critically acclaimed books include Postmodern Light (poetry, 2006), Love Poems (2004), The Kidnapping of the Painter Miró (novel, 1997, 2001), The Brush and the Compass (1988), Painted Melodies (1983) and A History of Architecture (1972) ., In 1975 he published in Montreal A Manifesto on Lyrical Conceptualism. Lyco Art is a new element on the periodic table of aesthetics, which intertwines the logic of passion with the passion of logic. In 1980 the Lyrical Conceptualist Society hosted the First International Poetry Exhibition in Montreal., In 1978 Hartal exhibited his paintings at the Musée du Luxembourg and the Raymond Duncan Gallery in France and his canvas Flowers for Cézanne won the Prix de Paris. He also has displayed his oeuvre in museums and galleries in New York, Montreal, Budapest, as well as many other places., He approaches poetry with the credo that the heart of poetry is the poetry of the heart. A recurring theme of his recent work explores the human tragedies of wars and genocides.
Last updated March 10, 2012