by Vern Rutsala
We had more than
we could use.
They embarrassed us,
our talk fuller than our
rooms. They named
nothing we could see–
dining room, study,
mantel piece, lobster
thermidor. They named
things you only
saw in movies–
the thin flicker Friday
nights that made us
feel empty in the cold
as we walked home
through our only great
abundance, snow.
This is why we said ‘ain’t’
and ‘he don’t.’
We wanted words to fit
our cold linoleum,
our oil lamps, our
outhouse. We knew
better but it was wrong
to use a language
that named ghosts,
nothing you could touch.
We left such words at school
locked in books
where they belonged.
It was the vocabulary
of our lives that was
so thin. We knew this
and grew to hate
all the words that named
the vacancy of our rooms–
looking here we said
studio couch and saw cot;
looking there we said
venetian blinds and saw only the yard;
brick meant tarpaper,
fireplace meant wood stove.
And this is why we came to love
the double negative.
Last updated November 12, 2022