The Temple Drummer and Piper
Flagellant!
Flexor of the Temple's
Flexuous moulded walls
The high reliefs sallying through your
Flaunting fingers
Wrap the holy-comer with your
Invocatory maul
While word of Vedic prayer
Seeps from some steepening Brahmin wall
O stretched bowel of your potted paunch
In perspiration's puffing piped paean
Rivet the eyes of man and god
Outside the walls of priestly palaver
Monotonic bell and OM
OM and monotonic bell
OM OMM OM
Copyright © T. Wignesan - Paris, 1957 (from Tracks of a Tramp. Kuala Lumpur-Singapore: 1961; first pub. in "Forum Academicum", University of Heidelberg, 1957)
Copyright ©:
T. Wignesan, 1957 (from the collection: Tracks of a Tramp. Kuala Lumpur-Singapore: 1961)
ABOUT THE POET ~
If I might be allowed to say so, I think my "first" love was poetry. Unfortunately for me, the British curricula at school did not put me in touch with the Metaphysical Poets, nor with the post-Georgian school. Almost all the school texts after World War II contained invariably Victorian narrative poems and some popular examples of Romantic poetry. I chanced upon a selection of T. S. Eliot's and Fitzgerald's Rubaiyat of Omar Khayyam, and a little later on Pope's An Essay on Man and Chaucer’s Canterbury Tales. That did the trick. Yet, I regret not having taken to prose in earnest earlier than the publication of my first collection: Tracks of a Tramp (1961). There's nothing like trying your hand at all kinds of prose exercises to come to grips with poetry. Or rather to see how poetry makes for the essence of speech/Speech and makes you realise how it can communicate what prose cannot easily convey. I have managed to put together several collections of poems, but never actually sought to find homes for them in magazines, periodicals or anthologies. Apart from the one published book, some of my sporadic efforts may be sampled at http://www.stateless.freehosting.net/Collection of Poems.htm