Prologue to Lessons of Change

for King Wen, circa 1151-1143 B.C.E. – with seven mind-bending kowtows

There where you had no occasion for play
There in your confined Ming I space
Where change wrought no change
In your fate
But for those plagued by your linear grouping games

Where before the fall from your embroidered gardens
The lavender embossed bowl to dip your fingers in
The enamelled daïs that spurned the kowtows
the cloistered summer watering palace
the decorative duck pond
the turtle and dove court
where dainty demure mincing concubines
under dispassionate eunuch eyes
stroked and tickled the mandolin strings of their Lord’s heart
Where time sailed through Flying Dutchman seas
At the serene centre of Qian’s mundane realm

Even what drops from the sky may hit the ocean bed
And so stamped under in your tyrant’s dungeons
With your retinue and court
Where each faked their fate in psychotic delusions
Simulating as it were
The neurotico-schizophrenic passage in another dimension
There where you bought a little time
Time enough to fashion a play
A game of change
A game that never really changes
Even if your son the Duke of Chou
And the Master expositor Kung
Paved your broken and unbroken lines in words
from which no man may return
unchanged

Where the longest dialogue you began
Becomes seems a polyalogue among some
or all
Who have gone beyond the hexagram wall
And those who await the inexorable call
Where speech is ambiguous
To say the least
In eight by eight cyclic situations
Though someone YOU maybe ME seems to be saying
Take heed ! all this’s a mess
The Truth
Might not it be hidden in the lines
and in the lines alone
and not in the words

Take them down one by one
And build them up again
Note the beginning and the end
And the correspondances of change
Put the judgments of my son
And the wordy attributions to Kung
Especially those from the young Wang Bi
On either side of the hexagram
What is claimed for the Superior Man
Is within the reach of every clan
Measure the lines in or out of tune
The trigrams from whence
The inner ones note hence
Think on them but once
Or only now and then
for the nonce
This’s all I have to say
Though others may make much of the Way
Think not on what I have said
More than it takes to put paid

O ! Great Sage !
Are there not behind these lines
Three or four bearded lords, nay sages
Who drive terror into those who gaze
Day and night into their wizened faces !

From: 
T. Wignesan




ABOUT THE POET ~
If I might be allowed to say so, I think my "first" love was poetry. Unfortunately for me, the British curricula at school did not put me in touch with the Metaphysical Poets, nor with the post-Georgian school. Almost all the school texts after World War II contained invariably Victorian narrative poems and some popular examples of Romantic poetry. I chanced upon a selection of T. S. Eliot's and Fitzgerald's Rubaiyat of Omar Khayyam, and a little later on Pope's An Essay on Man and Chaucer’s Canterbury Tales. That did the trick. Yet, I regret not having taken to prose in earnest earlier than the publication of my first collection: Tracks of a Tramp (1961). There's nothing like trying your hand at all kinds of prose exercises to come to grips with poetry. Or rather to see how poetry makes for the essence of speech/Speech and makes you realise how it can communicate what prose cannot easily convey. I have managed to put together several collections of poems, but never actually sought to find homes for them in magazines, periodicals or anthologies. Apart from the one published book, some of my sporadic efforts may be sampled at http://www.stateless.freehosting.net/Collection of Poems.htm


Last updated July 05, 2016