Flowering Cherry

by Janet Frame

Janet Frame

These cherries are not wine-tilled bowls tor thirsty birds
nor ornaments of the house where sky's the ceiling.
These are the pawnbroker tree's discreet sign,
the wine, tear and blood drops of bondage,
the tree's relentless advantage
taken of the poverty that came when, warmed
with familiar memory of what had been
and had been and would be but is never known
entirely or believed until it is born,
we saw the cherry free in flower and af once spent
a life's rich astonishment.

Why should I be bound to thee?
Blake asked of the myrtle tree. Why?
He killed its escape. Blood flowed beneath the tree:
a father's blood, an old man's, who must have known
how to bargain with all possession
that makes a tree, a house, a sky into a prison
and each man see the marks of chains upon his skin.
The cherry tree flowers earlier than most,
falls as snow while snow is still faling,
sweeps into us and through us and we taste
the flower as fruit, we eat the first
full-blown light unfolded out of winter darkness.
Then, as if the bloom were gone, the tree will hide
in wine-coloured shade and pawn signs to pursue its trade.

And we are prisoners then, borrowing wonder
to redeem the pledge; or too poor, too ill,
too tar away to make the necessary journey,
we plead in writing tor the tree's mercy. Why
should a lilelime of marvelling be spent
on this first view of spring light, this burst cherry snow
Why should the tree house our ireasure in blood?

When next you pass the tlowering cherry now, in September,
look closely at the cool dark wine house
where the blackbirds sing tor their supper
where the human senses sing tor their survival.





Last updated March 19, 2023